My “power” playlist starts with Copland’s Appalachian Spring, from there to the Moldau by Smetana, then the Rach 5, continues with Orff’s Carmina Burana and ends with Beethoven’s Ninth. Sometimes I like the Rach 5 after Carmina Burana, sometimes I throw in a Brandenburg or two early on just to settle my nerves. But that sequence of […]
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